Violet Teague (1872–1951) was among Edwardian Australia's most fashionable and assured portraitists, although the art historical establishment was slow to acknowledge it.
2 portraits in the collection
Gift of the New South Wales National Parks and Wildlife Service 2020
Joanna Gilmour profiles Violet Teague, whose sophisticated works hid her originality and non-conformity in plain sight.
Purchased with the assistance of funds provided by Jillian Broadbent AC 2021
Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.
Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.
Rebecca Ray on Robert Fielding’s Mayatjara series, Jennifer Higgie on Alice Neel, Elspeth Pitt chats with Yvette Coppersmith, Vincent Fantauzzo on virtual sittings with Hugh Jackman and more.
Jennifer Higgie uncovers the intriguing stories behind portraits of women by women in the National Portrait Gallery’s collection.
Rubina (Ilkalita) Namatjira (1903–1974) was a Kukatja woman and the wife of famous Western Arrernte artist Albert Namatjira.
1 portrait in the collection
Robyn Sweaney's quiet Violet obsession.
The third row of paintings come from Ngarranggarni (Dreaming).
Born: 1947, Gilbun – Mabel Downs Station, WA
Works: Warmun, WA
From 1967 until 1981 Matthew Perceval lived and painted in France and during those years produced a large body of portrait paintings.
The fourth row of paintings interweave Ngarranggarni, memories, relationships and Country.