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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Some lads #2

2024 Annual Appeal

Annual Appeal

In 1998, acclaimed artist Tracey Moffatt gifted her portrait Some Lads #1 (Russell Page) to the National Portrait Gallery. In 2024 we had the extraordinary opportunity to acquire the full body of work, adding Some Lads #2, Some Lads #3, Some Lads #4 and Some Lads #5 to the collection.

Some lads #1

Annual Appeal

Support your Portrait Gallery

In 1998, acclaimed artist Tracey Moffatt gifted her portrait Some Lads #1 (Russell Page) to the National Portrait Gallery. In 2024 we had the extraordinary opportunity to acquire the full body of work, adding Some Lads #2, Some Lads #3, Some Lads #4 and Some Lads #5 to the collection.

Adut, The Studio Series, 2015 Atong Atem

Icons and Identities

General content

It’s often thought that foremost among portraiture’s many functions is the documentation of individuals who are celebrated and familiar, or who best exemplify the temper and identity of a certain place at a certain time.

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

Ruby (left view), 2022 Shea Kirk

National Photographic Portrait Prize 2023

Learning resources

We encourage you to look, to feel, to think, to question and most importantly, to identify and connect.

National Portrait Gallery

History

About us

How the National Portrait Gallery and its unique collection came to be

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Portrait Donors

Listed by year
Honour board
Barry Humphries

Uncommon Australians

The vision of Gordon and Marilyn Darling
General content

Sarah Engledow writes about Gordon and Marilyn Darling and their support for the National Portrait Gallery throughout its evolution.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency