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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Omega, 2013 by Robin Eley

Robin Eley

More about In the flesh artists

Robin Eley studied Fine Arts at Westmont College, USA and began his career as a professional illustrator. Eley was a finalist in the Eutick Memorial Still Life Prize in 2010 and his work was Highly Commended in the Doug Moran Portrait Prize in 2010 and 2011.

Recruit (Self Portrait in the image of my son), 2012 by Michael Peck

Michael Peck

More about In the flesh artists

Born in Melbourne in 1977, Michael Peck has a Bachelor of Fine Art (honours) (Painting) from Monash University. He has exhibited as a solo artist since 1998, when he won the National Gallery of Victoria’s Trustees Award.

Rose, 2011 by Natasha Bieniek

Natasha Bieniek

More about In the flesh artists

Born in Melbourne, Natasha Bieniek began her formal artistic training at the Victorian College of the Arts in 2002.  Bieniek’s When the music’s over (2006) won the Nino Sanciolo Art Prize, a painting scholarship to study at the Accademia d’Arte in Florence, where she learnt the ancient technique of egg tempera.

Tim Winton

2020 Annual Appeal

Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

Richard Tognetti #1510

Richard Tognetti #1510, 2018

by Louise Hearman
General content

Commissioned with funds provided by Peter Weiss AO 2018

Tim Fairfax AC

Tim Fairfax, 2018

by Russell Shakespeare
General content

Commissioned with funds provided by The Calvert-Jones Foundation 2018

Nicholas Paspaley Jnr

Nicholas Paspaley Jnr, 2018

by Andrew Bonneau
General content

Commissioned with funds provided by Ross Adler AC 2018

Gail Kelly

Gail Kelly, 2018

by Paul Newton
General content

Commissioned with funds provided by Westpac Group and Optus 2018

Andrew Gaze

Andrew Gaze, 2018

by George Fetting
General content

Commissioned with funds provided by Trent Birkett 2018

What the tree saw: David Foster

What the tree saw: David Foster, 2018

by Jacqui Stockdale
General content

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

The Writer, Peter Goldsworthy

The Writer: Peter Goldsworthy, 2018

by Deidre But-Husaim
General content

Commissioned with funds provided by Jillian Broadbent AO and Dr Helen Nugent AO 2018.

Eden, 2011 by Arianne McNaught

Arianne McNaught

NPPP 2012 learning resource

An interview with the photographer.

image not online

Annual Appeal

Listed by year
Honour board
Kristin Headlam with Basil, 2016 by Mark Mohell

Kristin Headlam

Explore The Popular Pet Show

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

George Reid paperweight

Some prime ministers

General content

Sarah Engledow explores the history of the prime ministers and artists featured in the exhibition.

Nicholas Harding, 2016 Mark Mohell

Nicholas Harding

Explore The Popular Pet Show

Over the years the young Nicholas Harding got his hands on various mice and guinea pigs, but they served mainly to illustrate the concept of mortality. 

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency