Katrina Osborne immerses herself in one of photography’s most fearless chronicles.
The National Portrait Gallery joins the Big Draw, a program dedicated to promoting drawing as a tool for thought, creativity, social and cultural engagement.
Politics and personae in the portraiture of TextaQueen by Jane Raffan.
This issue features Kate Beynon, Philosopher Cynthia Freeland, Geoffrey Gurrumul Yunupingu, John Tsiavis & Chris Lilley, UK's BP Portrait Award, Purchasing power in colonial Sydney and more.
An exhibition at the Freer and Sackler Galleries in Washington DC showcases the art of portraiture in Asia over two thousand years.
Portraits take many forms, from official statements of power and status to deeply personal testaments of affection and insight.
Dr Christopher Chapman, curator and judge of the National Photographic Portrait Prize 2009 contextualises the themes of the exhibition.
Kim Sajet reflects on two portraits with a power that extends beyond gallery walls.
Tara James shares the joy of dance and its power to connect in the National Portrait Gallery’s touring exhibition Dancer.
In conversation with Aretha Brown, Pieter Roelofs on Vermeer, humanoid robots, the nationwide search for Archibald portraits, and 25 years of collecting at the National Portrait Gallery.
Lecture by Sandy Nairne, Director, National Portrait Gallery, London, given at the National Portrait Gallery, Canberra on 28 April 2006.
Joanna Gilmour explores the life and art of the Australian artist Janet Dawson.
Ryan Presley about portraiture, Emma Kindred on the career of Joan Ross, Ellie Buttrose looks at Archie Moore’s kith and kin, and Joanna Gilmour steps into the world of Julie Rrap.
Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.
William Yang on his autobiographical self portraits, David Parker's 1970s and 80s Melbourne music photographs, seven-time NPPP finalist Chris Budgeon, and Benjamin Warlngundu Ellis.
I met Clara while teaching photomedia at the University of Tasmania last year. One of her assignments focused on her relationship with her former boyfriend, who she now works for as his live-in carer.