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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

William Robinson, 2016 by Mark Mohell

William Robinson

Explore The Popular Pet Show

Unique in the world, perhaps, is a bronze sculpture that fuses the age-old human portrait bronze tradition, and the later genre of the bronze pug figurine: that’d be William Robinson’s Self-portrait with pug.

Andrew Gaze

Andrew Gaze, 2018

by George Fetting
General content

Commissioned with funds provided by Trent Birkett 2018

Sir George Grey

Nothing black and white about the Greys

It's Complicated

Marriage: a prolonged disaster

George and Jemima Billet with family

In the most correct style

Nearest & Dearest

Desirable outcomes, undesirable origins

Artist in residence creates portraits using brainwave zctivity

29 June 2016
Archived media releases 2016

Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.

Tim Winton

2020 Annual Appeal

Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.

image not online

Icons Syndicate

Listed alphabetically
Honour board
Richard Morecroft & Alison Mackay, 2016 by Gary Grealy

Gary Grealy wins National Photographic Portrait Prize 2017

31 March 2017
Archived media releases 2017

After months of anticipation, the winner for the National Photographic Portrait Prize 2017 has been announced with renowned Sydney portrait photographer Gary Grealy taking out the award. George Fetting, guest judge for the 2017 Prize, was entranced with the evocative nature of the winning portrait Richard Morecroft and Alison Mackay.

Self portrait with gladioli

A very great and stimulating thrill

It's Complicated

Just good friends?

Mary Chomley

The Cosmopolitans

Now on display in Gallery Two
General content

Spanning the 1880s to the 1930s, this collection display celebrates the innovations in art – and life – introduced by the generation of Australians who travelled to London and Paris for experience and inspiration in the decades either side of 1900.

Billie, 2016 by Graeme Drendel

Pets of all types take over the National Portrait Gallery

3 November 2016
Archived media releases 2016

It is not every day that a national gallery turns its walls over to the animal companions that bring unconditional love and joy to their owners but this summer we have opened the doors to 15 contemporary artists with very different ways of depicting our furry, feathered and scaled pets.

Monkey business, 2011 by Alina Gozin'a

Alina Gozin'a

NPPP 2012 learning resource

An interview with the photographer.

Gail Kelly

Gail Kelly, 2018

by Paul Newton
General content

Commissioned with funds provided by Westpac Group and Optus 2018

Portrait of Mrs Tom Roberts

2013-14 Acquisition Fund

Annual Appeal

This 1910 portrait of Elizabeth Sarah (Lillie) Roberts by Tom Roberts was brought into the Gallery's collection with the assistance of the Acquisition Fund in 2013.

Prison and death in the 19th century

Two iBooks of authentic records
Learning resources

These books include sixteen inmates including Ned Kelly, Captain Moonlite and Frederick Deeming and twelve sketches of the deceased, including several children. For Year 7 – 9 students.

Phrenology video: 3 minutes 25 seconds

The Dissecting Room

General content

Though initially developed by physicians, phrenology was taken up by certain non-medical practitioners who applied the theory to social questions such as education and criminal reform. 

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency