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Chris Burden

In the video in Tough and tender Chris Burden narrates his performance artworks characterised by focused attention to mind over physical body.

Follow curator Chris Chapman on Instagram

Dr. Chris Chapman's Instagram account is inspiration for the exhibition Tough & Tender.

2007 Acquisition Fund

Chris O'Doherty's self portrait was acquired in 2007 with the assistance of the Acquisition Fund.

Tough & Tender Media Release

Photographs from internationally acclaimed artists Robert Mapplethorpe, Larry Clark, Nan Goldin, Collier Schorr and Chris Burden along with contemporary Australian artists, Rozalind Drummond and Warwick Baker will call the National Portrait Gallery home during our extraordinary winter exhibition Tough and Tender.

All that fall artist interviews

Lawrence English, Ellis Hutch and Lee Grant talk about the works they created for All that fall.

Christopher Bassi

Known for his representational painting, Meriam and Yupungathi man Christopher Bassi, based in Meanjin/Brisbane, addresses issues surrounding cultural identity, alternative genealogies and colonial legacies.

Provocative talks on Saturdays in September

Join The Saturday Paper’s chief political correspondent, Karen Middleton, for A Month of Saturdays – afternoon conversations bringing current affairs experts to the Gallery for engaging, real-time discussions about the topics that matter.

Icons Syndicate

Rod McNicol

Australian photographer Rod McNicol has consistently analysed the passing of time through the evidence of the photographic portrait. At once confronting and tender, McNicol’s portrait photographs are bold and intimate.

2014-15 Acquisition Fund

Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.

Artist in residence creates portraits using brainwave zctivity

Digital media artist, George Khut, is creating a spectacular form of digital portraiture involving public participants.

Jacki Weaver, 2018

Commissioned with funds provided by Marilyn Darling AC 2018

Tan Le, 2018

Commissioned with funds provided by the Sid and Fiona Myer Family Foundation 2018

Lucy Culliton

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Kristin Headlam

Basil grew into a speckled beauty – a long-legged leaper and an exceptionally vocal dog, with a great register of sounds, ascending in shock value from a whimper to a growl to a bark to a yelp that’s a violation of the ears.

NPPP 2009 exhibition essay

Dr Christopher Chapman, National Photographic Portrait Prize judge and curator, introduces the 2009 Prize.