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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Omai

1777
James Caldwall (engraver) after William Hodges

copper-line engraving on paper (sheet: 29.9 cm x 23.0 cm, image: 22.8 cm x 13.7 cm)

His British friends misunderstood his name to be Omai, which ran together his formal presentation as ‘O Mai’ (it is Mai). Born into the middling classes on the sacred island of Ra‘iatea, Mai (c.1753–c.1779) was ten years old when Bora Borans invaded his island and forced his family to flee to Tahiti. His father was killed in the battle, and forever afterwards Mai sought to reclaim his ancestral lands and inheritance. As a teen, he witnessed the arrival Samuel Wallis’s Dolphin voyage of 1768, and he later followed the crew of Cook’s Endeavour expedition when it toured in 1769 (though none remembered meeting him then). Mai was on the island of Huahine (midway between Ra‘iatea and Tahiti) when Cook stopped during his second expedition in 1773. Here, Mai put into train a long-hatched plan to befriend the British crew, travel with them to their homeland, and acquire some of the notorious weaponry he had previously seen Britons use. He believed British arms could help him regain Ra‘iatea. Cook was reluctant to take Mai, doubting he was quite the high-born chiefly example that would best represent Pacific Islanders back home. But by the time Cook’s two vessels departed Huahine, Mai had won over most of the able-seamen and officer Tobias Furneaux convinced Cook that Mai would be helpful as well as boost morale. William Hodges’ subsequent sketch of Mai was to be one of the closest likenesses of him undertaken by a British artist.

Collection: National Portrait Gallery
Purchased 2010

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

William Hodges (age 33 in 1777)

James Caldwall (age 38 in 1777)

Omai (age 27 in 1777)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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