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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Oui-re-kine

1807-1817
Barthélemy Roger (engraver) after Nicolas-Martin Petit

engraving on paper (sheet: 36.3 cm x 27.0 cm, plate-mark: 32.0 cm x 24.5 cm)

This work is one of the portraits originally published as an illustration to the first edition of Voyage de Découvertes aux Terres Australes, the official account of the Baudin expedition. The sitter – identified by artist Nicolas-Martin Petit as Oui-ré-kine – is Wárrgan (Crow), also referred to as Worogan. In his writings about the Eora people he knew, astronomer and collector of Sydney languages William Dawes counted Wárrgan with Bennelong's sisters, although she might have been a half-sister or other relative of Bennelong’s. Her husband Yeranibe (Euranabie) was the son of Maugoran, a leader of the Burramattagal clan, making Wárrgan a sister-in-law to Bidgee Bidgee, another of Petit’s Sydney sitters. (Bidgee Bidgee’s portrait also features in this display). In 1801, Wárrgan and Yeranibe joined the Lady Nelson which, under the command of James Grant, voyaged to Jervis Bay before making a survey of Bass Strait. In The Narrative of a Voyage of Discovery performed in His Majesty’s vessel the Lady Nelson (1803–1804), Grant related an incident wherein Wárrgan demonstrated the use of a waddy and a woomera, and how incisions were made on the body using a shell. Both Wárrgan and Yeranibe spoke English, and acted as Grant’s interpreters.

Purchased 2009

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Nicolas-Martin Petit

Barthélemy Roger (age 40 in 1807)

Oui-re-kine

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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