Members of the future Midnight Oil began playing together in Sydney in 1972. After performing as Farm for some time, in 1976 they changed their name to Midnight Oil and began to carve their live career along the northern beaches. From the start, the Oils' songs aggressively addressed social concerns such as the environment, uranium mining and Aboriginal rights. In 1987 they released their eighth album, Diesel and Dust, which sold more than two million copies world-wide. It included the hit Beds are Burning, performed provocatively at the close of the 2000 Olympics. Martin Rotsey, Rob Hirst, Peter Garrett, Jim Moginie and Bones Hillman effectively disbanded in 2002, when Garrett became President of the Australian Conservation Foundation. Garrett was the member for the Federal seat of Kingsford Smith from 2004 to 2013, during which period he served as minister for the environment, heritage and the arts and school education, early childhood and youth. Having reunited to play in undimmed form in Canberra and Melbourne in early 2009, the Oils were declared by one reviewer to be 'the best live band Australia has ever produced, hands down'. Their successful Great Circle world tour of 2017 comprised more than 70 shows across five continents.
Commissioned with funds from the Basil Bressler Bequest 2001
© eX de Medici
This portrait is of the rock band Midnight Oil and is titled Nothing's as precious as a hole in the ground. The painting was created in 2001 by eX de Medici using mangrove bark pigment, watercolour and gouache on vellum. It measures about 1.5 m tall by 2 m wide, encased under glass in a wide dark wood frame.
The heads and shoulders of the 5 band members are depicted in the foreground, along the lower portion of the canvas. Behind them, in the lower left, is a group of 4 small figures, and filling the background is the red-brown earth of the open cut mine.
The work has been constructed from 6 hides, the seam joins visible. The rust-red mangrove bark pigment used to paint the background has the consistency of ink; thick and rich in places while just a thin wash in others. The Ranger Uranium mine, in Kakadu, the Northern Territory, takes up the top two-thirds of the scene. In the very top is a narrow ribbon of blank canvas; pale sky. Beneath this is a range of mountains, including Mount Brockman. In the middle of the image is the complex mine site of small scattered buildings, criss-crossing roads, ponds and stepped pits.
On the lower left of the image, standing on the red earth above the mine, is Gary Morris, Midnight Oils’ manager, a tall figure in a green t-shirt and blue trousers. To his right is the office and management team from past to present, with Stephanie Lewis in an anti-uranium mining t-shirt and jeans, Diana Lindsay with arms crossed wearing red and black, and Arlene Brooks in black.
The Midnight Oil members are positioned in 2 rows, with 3 in the back and 2 in the front, shown from chest up. They all have similarly neutral expressions as they gaze towards us wearing identical round-necked t-shirts, and each of their necks is adorned with the delicate wing patterns of local moth species.
From the far left, back row, Martin Rotsey the guitarist is positioned. His narrow face looks directly forward. He has light-brown hair, short on the sides and fuller on top, with a few strands fanning over his forehead. Martin has fine fair brows above his bright blue eyes. He has a straight nose and full pink lips that are closed. The moth pattern on his neck includes flecks of bright yellow.
To Martin’s right in the front row is Rob Hirst, the band’s drummer, a singer and percussionist. Rob’s face is angled slightly towards the left of the image. His hair is black, of medium length, with a short sparse fringe above dark eyebrows. Despite the tilt of his head Rob looks directly towards us with brown-green eyes. He has a long straight nose and his thin lips are downturned at their edges with a fine tuft of facial hair beneath the bottom lip. The moth wings adorning his neck have dashes of blue and orange.
Peter Garrett, Midnight Oil’s lead vocalist and harmonica player, is in the very centre of the group, close behind his 2 band mates in the front row. Peter’s head is straight on, his bald skull and chiselled features emphasised by the play of light and shadow. Peter has a prominent brow with fair eyebrows and intense green eyes. He has a distinct broad nose and his lips are slightly parted with the top teeth just showing. The moth pattern covering his neck is brown and white.
To the right of Peter is the fourth member of the group, Jim Moginie, a singer and player of the guitar, organ, autoharp and harmonium. Jim has medium-brown hair cut short at the sides with a small quiff curving over the top of his head. He has a high forehead and low thick light-brown brows. Jim has bright blue-grey somewhat narrowed eyes, a long blunt nose, full lower cheeks and closed lips. His moth has red markings that run down the centre of his throat.
On the far right of the portrait in the back row is Bones Hillman, a singer and bass player. Bones’ brown hair, with streaks of silver and gold, is short, sticking up around his face. His longer fringe spills unevenly over his lined forehead. He has prominent red-brown eyebrows over his sea-green eyes. Bones has a strong nose, drawn-in cheeks and an angular jaw. He has thin pursed lips and a square chin. Covering Bones’ neck is a moth pattern in red and yellow.
Audio description written by Lucie Shawcross and voiced by Krysia Kitch
eX de Medici (age 42 in 2001)
Peter Garrett AM (age 48 in 2001)
Rob Hirst (age 46 in 2001)
Jim Moginie (age 45 in 2001)
Dwayne Hillman (age 43 in 2001)
Basil P. Bressler (44 portraits supported)