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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Stubbs and the horse

One of the chief aims of George Stubbs, 1724–1806, the late Judy Egerton’s great 1984–85 exhibition at the Tate Gallery was to provide an eloquent rebuttal to Josiah Wedgwood’s famous remark of 1780: “Noboby suspects Mr Stubs [sic] of painting anything but horses & lions, or dogs & tigers.”

More information on Stubbs and the horse

Selected images

8 images
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Lustre, held by a Groom, ca. 1762 by George Stubbs
Lustre, held by a Groom, ca. 1762 by George Stubbs
The Milbanke and Melbourne Families, about 1769 by George Stubbs
The Milbanke and Melbourne Families, about 1769 by George Stubbs
Whistlejacket, about 1762 by George Stubbs
Whistlejacket, about 1762 by George Stubbs
A Lion Attacking a Horse, 1762 by George Stubbs
A Lion Attacking a Horse, 1762 by George Stubbs
Gimcrack on Newmarket Heath, with a Trainer, a Stable-Lad, and a Jockey, 1765 by George Stubbs
Gimcrack on Newmarket Heath, with a Trainer, a Stable-Lad, and a Jockey, 1765 by George Stubbs
The Anatomy of the Horse, 1766 by George Stubbs
The Anatomy of the Horse, 1766 by George Stubbs
Horse Attacked by a Lion, between 1768 and 1769 by George Stubbs
Horse Attacked by a Lion, between 1768 and 1769 by George Stubbs
The Kongouro from New Holland, 1772 by George Stubbs
The Kongouro from New Holland, 1772 by George Stubbs
8 images
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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