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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

My life la Gilbun, 2020

Shirley Purdie

Darling Portrait Prize 2020 Finalist

This is my hospital where I been born and they put down la coolamon (traditional carrying vessel made of bark or wood) and got that paperbark ready for me to lie on in the coolamon. The station manager wife later tell me: ‘14 now – you have to look for work’. I was going milking nanny goats and bringing back milk. Making beds and lots of things; setting table for kartiya (whitefellas) and washing and ironing – I been learn on station. Good manager's wife she was, nice. Never been cheeky, never trying to whip us or anything like that. I do this painting for myself to remember when I been born and grow up and start working.

Darling Portrait Prize 2020

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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