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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Jan Nelson

In the flesh
 /
More about In the flesh artists
 
Jan Nelson interview. Video length: 2 minutes

Jan Nelson was born in Melbourne. She graduated from the Victorian College of the Arts in 1983 and has been exhibited her work in both solo and group exhibitions throughout Australia since that time including at the MCA, Sydney, National Gallery of Victoria, Gallery of Modern Art, Brisbane and the Experimental Art Foundation, Adelaide. Her work has also been shown internationally including in 31 Days, Paris: Cité lnternationale des Arts, Paris and Iconografias Metropolitanas, XXV Bienal de São Paulo, Brasil.  Nelson has received The Arthur Guy Painting prize and the John McCaughey memorial Art Prize. Her work is held in international and Australian public and private collections.

6 portraits
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Walking in Tall Grass, Marion 2, 2011 by Jan Nelson
Walking in Tall Grass, Marion 2, 2011 by Jan Nelson.
In the flesh
More about In the flesh artists
Jan Nelson
Natasha Bieniek
Sam Jinks
Petrina Hicks
Yanni Floros
Patricia Piccinini
Robin Eley
Juan Ford
Ron Mueck
Michael Peck
More about In the flesh
More about In the flesh artists

Related information

Divide, 2011 by Sam Jinks
Divide, 2011 by Sam Jinks
Divide, 2011 by Sam Jinks
Divide, 2011 by Sam Jinks

In the flesh

Previous exhibition, 2014

In the flesh is an enthralling and immersive experience of contemporary art that confronts the concept of humanness and the experiences of consciousness and emotion. Featuring ten Australian artists including Jan Nelson, Patricia Piccinini, Ron Mueck and Michael Peck, the exhibition explores themes of intimacy, empathy, transience, transition, vulnerability, alienation, restlessness, reflection, mortality and acceptance.
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance
The National Portrait Gallery building front entrance

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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