From punchy short pieces to longer form leanings, it's the place to come for a frequent fix of the world's most accessible art form.
A remarkable undated drawing by Edward Lear (1812–88) blends natural history and whimsy.
When did notions of very fine and very like become separate qualities of a portrait? And what happens to 'very like' in the age of photographic portraiture?
Each year staff from cultural institutions strut their stuff on the international stage for a chance to win fame, glory and a trophy. But this year our Director, Angus Trumble had other things on his mind...
In shock it fluctuates and with age, accelerates. Remembering the First World War and the Easter Rising.
Once central to military strategy and venerated in patriotic households, Lord Kitchener is now largely forgotten.
Bushranger Ben Hall and his cronies held around 40 people hostage in a pub north-west of Goulburn, telling their captives ‘don’t be alarmed; we only came here for a bit of fun’.
Angus Trumble explores the creative manifestations of radiance.
The 'Yarra Boot Trunk Tragedy' unfolded a week before Christmas 1898, when some neighbourhood boys noticed a wooden box floating in the river at Richmond.
The National Portrait Gallery mourns the loss of one our most generous benefactors, Robert Oatley AO.
James McCabe provides proof that hanging wasn’t necessarily a fate reserved for the perpetrators of murder and other deeds of darkest hue.
The salacious and sordid details of Henry Kinder’s death transfixed Sydneysiders with a case combining murder with seduction, mesmerism, blackmail and poisoning.
'Each man arrayed himself in a new rig from head to foot, and even such luxuries as soaps and perfumery were not despised'
Visit us, learn with us, support us or work with us! Here’s a range of information about planning your visit, our history and more!
We depend on your support to keep creating our programs, exhibitions, publications and building the amazing portrait collection!
Information on location, accessibility and amenities.