© National Portrait Gallery 2025
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia
Phone +61 2 6102 7000
ABN: 54 74 277 1196
An Ex-Treasurer. "Ultra-Protection!" [Graham Berry, Premier of Victoria], 1874
Tom Durkin, The Weekly Times
Portrait, lithograph on paper
Collection: National Portrait Gallery
Purchased 2018
The Australasian Federal Convention at Sydney, 1884
The Graphic
Portrait, wood engraving on paper
Purchased 2015
Sir Charles Nicholson, 1898
Elliott and Fry
Portrait, gelatin silver photograph on paper
Gift of Stephen Scheding and Jim Berry 2015
Nlle. Holland Port Jackson: Sauvages des environs de Sydney: Nani, Taran, Abinghou, Broten, Timbere, 1825
Jean Coutant after Jacques Etienne Victor Arago
Portrait, line engraving on paper
Purchased 2015
Portrait of Ali, 2014
by Hoda Afshar
Image
Jacques Arago, c. 1830s
Nicolas Maurin, Alexandre Sixdeniers
Portrait, engraving on paper
Purchased with funds provided by L Gordon Darling AC CMG 2009
Anna F. Walker
Biography
Anna Frances Walker (1830–1913), botanical artist and collector, was one of the thirteen children of Thomas Walker, a high-ranking colonial public servant, and his wife Anna Elizabeth, the daughter of merchant and landowner John Blaxland.
1 portrait in the collection
Indomitable spirit
Magazine article by Ricky Maynard, 2010
Photographer Ricky Maynard talks us through the creation of the portrait commission of Mick Dodson.
Of human clay
Magazine article by Michael Desmond, 2009
The first collaborative commission has arrived. It's a self portrait, it's ceramic and it's from Hermannsburg.
Glossy too
Magazine article by Christine Clark, 2005
The Glossy 2 exhibition highlights the integral role magazine photography plays in illustrating and shaping our contemporary culture.
Lovers of light
Magazine article by Dr Sarah Engledow, 2008
Dr Sarah Engledow traces the significant links between Antonio Dattilo-Rubbo and Evelyn Chapman through their portraits.
Portrait Donors
Listed by year
Honour board
Anangu landscape learning
About Face article
Angus' initial perception of Uluru shifts, as he comes to see it as central to the entire order of Anangu life.