It was the era of recording your favourite songs directly from the radio; of seeing the latest acts and clips on Countdown; and when the Aussie bands you saw on TV and heard in the charts were the ones you could see live at the pub.
It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.
I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.
Commissioned with funds provided by The Calvert-Jones Foundation 2018
Commissioned with funds provided by Marilyn Darling AC 2018
An interview with the photographer.
An interview with the photographer.
Hema Upadhyay was born in Baroda in 1972 and moved to in Mumbai in 1998. Incorporating painting, installation, sculpture and printmaking, Upadhyay’s work often addresses issues related to migration, especially the experiences of those living in urban communities.
Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.