Recent research shows that two thirds of all Australians have a sterling interest in the arts and Australian history. This is just one of the promising findings to arise from the National Portrait Gallery’s commissioned snapshot of its national brand awareness, via a nationally representative survey.
The National Portrait Gallery has had its most successful Multimedia and Publication Design Awards (MAPDAs) ever, winning four awards across multiple categories. The awards were presented at a ceremony at the Australian Maritime Museum last Friday night.
Yanni Floros is an Adelaide based artist who trained at the National Art School in Sydney graduating as a sculpture major. Since then he has shown his work both locally and internationally in Berlin, Sydney, Melbourne, Brisbane and Adelaide.
Irish-born, Naarm/Melbourne-based artist Fiona McMonagle pushes the limits of watercolour portraiture to address women’s experiences.
Kristin Headlam's portrait of Chris Wallace-Crabbe was acquired with the support of the Circle of Friends in 2014.
Commissioned with funds provided by Maliganis Edwards Johnson and Alan Dodge AM 2018
A new commissioned portrait funded by the Gallery’s Foundation will be launched at Murdoch University in Perth tonight, Wednesday 2 September.
Leo Schofield introduces the exhibition, Masters of fare: chefs, winemakers, providores.
The second annual brand-awareness snapshot of the National Portrait Gallery is again positive, with indicators moving in the right direction – for the Gallery and for Australia’s cultural engagement.
Rock’s raw potency made it the ideal medium for fomenting protest. The 1970s, 80s and onwards saw calls for social and environmental justice ring out through song.
It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.
Commissioned with funds provided by Tim Fairfax AC 2018
From 2015 to 2017 the Acquisition Fund was focussed on Reg Richardson AM by Mitch Cairns, a finalist in the Archibald Prize 2014, and a great example of minimalist portraiture.
Commissioned with funds provided by Ross Adler AC 2018
One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.