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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Dame Jean Macnamara

Dame Jean Macnamara

Google Arts and Culture
Learning resources

Learn about the Australian doctor and scientist who dedicated her life to the research and treatment of poliomyelitis. For Year 5 – 7 students.

Blek Bala MJ, 2017 by Timothy Hillier, video: 6 minutes

Blek Bala MJ, 2017

by Timothy Hillier
General content

Finalist, DPA 2017
Single channel HD digital video

James, 2012 by Myles Nelson

Myles Nelson

Finalist interviews

It was definitely a candid encounter as was the expression on the face. It was constructed insofar as the image was deliberately taken from a distance so as to minimize intrusion and to magnify the effect of the image.

Our only concern is the void, 2013 by Nik Lee, video: 12 minutes

Our only concern is the void, 2013

by Nik Lee
General content

Winner, MDPA 2013

On train from New York to Memphis, July 4, 1956 by Alfred Wertheimer

Elvis at 21 media information

25 October 2013
Archived media releases 2013

Press releases and images downloads for media.

Adams Apple, 2013 by Petrina Hicks

Alienation

More about In the flesh

Segregated from their fellow humans in cellophane prisons, reference points are removed, so it is not certain whether these naked figures could be unwrapped, are about to be subsumed, or will forever be suspended in a plastic stasis.

Eden, 2011 by Arianne McNaught

Arianne McNaught

NPPP 2012 learning resource

An interview with the photographer.

The uncertain recovery, 2012 by Arianne McNaught

Arianne McNaught

Finalist interviews

I think the most important thing in capturing candid shots is to never take the photo when people are expecting you to press the shutter. The more poignant moments are not the stock standard images of people looking at the camera smiling but after or before when they are really interacting with each other.

Nicola Dickson

Contributing artists

Born: 1959, Southport, QLD
Works: Canberra

David Stratton, 2012
 by Sharon Zwi

Sharon Zwi

Finalist interviews

We were in Gaza shooting a documentary and we had heard about the orphanages and wanted to visit and document some of the children who had lost parents during the wars in Gaza.

Life Dancers, 2015 by Elizabeth Looker

NPPP 2016 exhibition essay

General content

Penny Grist, National Photographic Portrait Prize judge and curator, introduces the 2016 Prize.

Kaloti Parmjit, 2012 by Louise Whelan

Louise Whelan

Finalist interviews

I met Kaloti Parmjit the day I took the photo. I first visited the Sikh temple in the suburb of Glenwood to take photos as part of a social documentary project I'm undertaking for the State Library of NSW.

Trans-, 2004-05 by Tejal Shah

Tejal Shah

by Gitanjali Dang
Artist essays

Born in 1979, Tejal Shah grew up in Chhattisgarh, central India, moving to Bombay in 1995.

Ken Done, 2016 by Mark Mohell

Ken Done

Explore The Popular Pet Show

With a mum who was married to a tradie, you’d think it a fair chance that the baby Jesus would have grown up with a dog in the house.

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Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency