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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Double Self Portrait in Mirror

c. 1936
Alison Rehfisch

oil on hessian (frame: 59.0 cm x 48.5 cm)
Image not available (NC)

Sydney-born Alison Rehfisch grew up in a family who encouraged her interest in art. She studied at Julian Ashton’s art school but left at the age of 19 to marry. After her daughter started school, Rehfisch returned to painting, studying at Antonio Dattilo-Rubbo’s atelier, where she met artist George Duncan. She held her first exhibition in 1929 and began exhibiting with the Society of Artists in 1931. By this time, she and her husband had separated. Heading to London in 1933, she studied at the Grosvenor School of Modern Art. Rehfisch once said she approached painting not as ‘a superficial rendering of the thing we see in front of us, [but] trying to get the spirit behind all that’. Accordingly, this self portrait captures someone known for her sartorial flair as well as a sense of the independent, modern identity she forged as an artist in London.

In 1938, Rehfisch returned to Sydney, where she and Duncan married in 1942. From 1939 until 1969, she exhibited regularly in solo and group shows. She was particularly known for her still lifes and flowerpieces, often painted on hessian and always in a post-impressionist style that employed rhythmic, structured composition, simple forms and a bold yet harmonious use of colour.

Purchased 2023

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Alison Rehfisch (age 36 in 1936)

Subject professions

Visual arts and crafts

Related portraits

1. George Duncan, c. 1940. All Alison Rehfisch.
© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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