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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Geoffrey Roland Robertson

1999 (printed 2022)
Polly Borland

from the series ‘Australians’
type C photograph on paper, edition 1/10 (image: 49.8 cm x 39.4 cm, sheet: 65.0 cm x 54.5 cm)

Geoffrey Roland Robertson AO KC (b. 1946), barrister, academic and defender of human rights, grew up in Sydney, attending Epping Boys' High and then the University of Sydney. He graduated Bachelor of Arts in 1966 and Bachelor of Laws with first class honours in 1970, winning a Rhodes Scholarship which enabled him to graduate with a Bachelor of Civil Law from University College, Oxford, in 1972. Robertson became well known for his role as defence barrister in a number of high profile trials in the UK during the 1970s and 1980s. These included the trial of Oz magazine's editors Richard Neville, Jim Anderson and Felix Dennis on charges of 'conspiracy to corrupt public morals'; the case brought against Gay News for obscenity in 1974; the prosecution against the stage play The Romans in Britain instigated by morality campaigner Mary Whitehouse; and the trial of one suspect in the IRA's attack on the Conservative Party conference in Brighton in 1984. His television series Geoffrey Robertson's Hypotheticals – wherein he orchestrated the 'cross examination' of a panel of experts on selected social issues and dilemmas – aired for the first time in 1985 and ran until 2014. In 1990 he founded Doughty Street Chambers, a legal practice specialising in human rights, civil liberties, immigration, employment and criminal justice cases worldwide. Robertson has subsequently argued landmark cases on matters relating to terrorism, national security, immigration, defamation and extradition in courts such as the European Court of Justice, the European Court of Human Rights and the UN War Crimes court, his clients including governments, media organisations and NGOs. As a UN appeal judge, Robertson has delivered judgments on issues such as the illegality of the recruitment of child soldiers. Among his numerous notable briefs are: arguing the landmark case of Pratt & Morgan v. Attorney General of Jamaica, in which the Privy Council ruled that the death sentence could not be carried out on men who had served several years on death row; the case of R v. Ahluwalia, which established that women charged with the killing of violent partners could plead diminished responsibility on the grounds of PTSD; and acting for Tasmanian First Nations people in the matter of the repatriation of stolen ancestral remains from the Natural History Museum, London. Robertson's many books on law and aspects of history include The Justice Game (1998), The Tyrannicide Brief (2005), The Case of the Pope: Vatican Accountability for Human Rights Abuse (2010), Who Owns History? Elgin’s Loot and the Case for Returning Plundered Treasure (2019), and Rather His Own Man: Reliable Memoirs (2018).

Purchased 2022
© Polly Borland

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Polly Borland (age 40 in 1999)

Geoffrey R. Robertson AO KC (age 53 in 1999)

© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency