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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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David Armstrong, B.A., B. Phil.

1959
Clifton Pugh AO

oil on masonite (frame: 156.5 cm x 110.5 cm, support: 137.0 cm x 91.5 cm)

David Malet Armstrong AO (1926-2014), arguably the best-known and most influential of all twentieth-century Australian philosophers, was educated in England and at Geelong Grammar, and after serving in the Australian navy studied at Sydney and Oxford. Having lectured at the University of London he returned to Australia in 1955, soon taking up a post as a philosophy lecturer at the University of Melbourne. Having published Berkeley’s Theory of Vision (1960) he became a senior lecturer, completed his PhD and brought forth Perception and the Physical World (1961) and Bodily Sensations (1962). In 1964 he became Challis Professor of Philosophy at the University of Sydney and held this position, interrupted only by visiting professorships in the USA, until his retirement some 28 years later. A Materialist Theory of the Mind (1968) introduced the world to ‘Australian materialism’. Besides writing a plethora of books, the last published in 2010, throughout his life he engaged in public and political affairs, active in the Australian Association for Cultural Freedom and closely involved with its journal, Quadrant. Andrew Irvine wrote in Quadrant in 2014 ‘Armstrong’s influence on Australian culture has been enormous simply because his influence on world culture has been enormous.’

David Armstrong read a draft of the Antipodean Manifesto on art, which Pugh signed, but ‘could not render the verbiage into academically acceptable English’. The portrait of Armstrong was Pugh’s entry in the Archibald Prize of 1959.


Gift of Jennifer Armstrong 2018. Donated through the Australian Government's Cultural Gifts Program.
© Shane Pugh

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Clifton Pugh AO (age 35 in 1959)

Emeritus Professor David Armstrong AO (age 33 in 1959)

Subject professions

Education and research

Donated by

Jennifer Armstrong (1 portrait)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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