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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

Paul Taylor 1, 1984

1984 (printed 2012)
Robert Rooney

inkjet print on paper (sheet: 24.0 cm x 35.2 cm, image: 20.0 cm x 30.5 cm)

Paul Taylor (1957-1992), critic and curator, graduated from Monash Univeristy in 1979. Two years later, he became the founding editor and publisher of the journal Art & Text, which was the first Australian art journal to achieve an international readership. He curated the influential exhibition Popism at the National Gallery of Victoria in 1982, writing the manifesto ‘Popism – The Art of White Aborigines’ to accompany and explain the exhibition: ‘Our art and criticism have recently sought to reverse the shame of earlier generations concerning cultural alienation and instead to exploit that alienation as part of a multi-national strategy. A search for a regional Australian culture, ultimately a worthless past time, reveals a centrifugal impulse wherein our art, like the mythopoeic Dreamtime of the Aborigines, has gestated upside down and is expressed in a carnivalesque array of copies, inversions and negatives.’ Taylor moved to New York in 1984. There, he became a regular contributor to Vanity Fair, Manhattan, inc., Fame, Connoisseur and Interview magazines as well as The New York Times, Flash Art and Parkett. He conducted the last interview with Andy Warhol. Having served as Australian Commissioner at the Venice Biennale in 1986, he curated the exhibition "Impresario: Malcolm McLaren and the British New Wave" for The New Museum of Contemporary Art in 1988. A few weeks after he returned to Melbourne in 1992 he died of AIDS-related illness at the age of 35.

Collection: National Portrait Gallery
Purchased 2012
© Estate of Robert Rooney

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Robert Rooney (age 47 in 1984)

Paul Taylor (age 27 in 1984)

Subject professions

Visual arts and crafts

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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