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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

The Gallery’s Acknowledgement of Country, and information on culturally sensitive and restricted content and the use of historic language in the collection can be found here.

The Lawn at Flemington on Melbourne Cup Day

c. 1889
Goupil & Cie (engraver) after Carl Kahler

photogravure on paper (frame: 86.0 cm x 102.5 cm, sheet: 60.0 cm x 87.0 cm, image: 49.9 cm x 78.0 cm)

Carl Kahler, artist, was born in Austria and trained in Munich, Paris and Italy. He arrived in Melbourne from London in late 1885, and established a successful portrait practice, numbering the governor, Sir Henry Brougham Loch, and his family amongst his sitters. However, he is best remembered for three major paintings, The Lawn at Flemington on Melbourne Cup Day (1887), The Derby Day at Flemington (1888–1889) and The Betting Ring at Flemington (1889), which are all owned by the Victoria Racing Club. The key to the promenading racegoers in this print names 73 individuals including the Governors of NSW, Victoria and South Australia, Lord Carrington, Sir Henry Loch, and Sir William Robinson, along with their respective partners. Others of interest include Elise Pfund, the subject of Tom Roberts’s portrait Madame Pfund; Miss Boucicault, the daughter of another of Roberts’s portrait subjects; Arthur Blackwood, a founding director of BHP; and Francis Ormond, a prominent grazier and philanthropist. Kahler’s paintings were highly praised in the newspapers, and they were soon reproduced as prints by the famous firm of Goupil in Paris. In 1890 Kahler left Australia for New Zealand, whence he travelled to San Francisco. There, he was killed in the earthquake of 18 April 1906.

Purchased 2009

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Carl Kahler (age 34 in 1889)

Goupil & Cie (age 60 in 1889)

Subject professions

Visual arts and crafts

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency