Frances Alda (1879–1952) was one of the world's greatest sopranos. Born Fanny Jane Davis in Christchurch, New Zealand, she was raised in Melbourne, where she began singing operetta in 1897. In 1902 she went to Paris to study with Mathilde Marchesi, Nellie Melba’s teacher, who gave her the name Alda. She made her European debut in 1904, and by 1908 she had appeared at the Monnaie, Brussels, Covent Garden and La Scala. That year she became a member of New York's Metropolitan Opera, staying with the company for 21 years. Noted especially for her lyrical roles, she enjoyed a successful recording career, making her debut with Enrico Caruso, who claimed that his voice and hers blended perfectly: 'I have never found that with any other woman singer.' Alda toured Australia and New Zealand in 1927, by which time she had reportedly come to 'disdain' Australia. Her colourful memoir, Men, Women and Tenors, was published in 1937. She died while on holiday in Venice, Italy.
Herman Mishkin was the pre-eminent photographer of opera stars of the 'Golden Age'. After working with the Manhattan Opera Company as a photographer-publicist, and building up a specialisation in portraiture, he first supplied the Metropolitan Opera with photographs in 1905. From 1910 to 1932 he was the Met's photographer of choice for lobby shots and portraits, including this romantic headshot of Alda.
Purchased 2007
On one level The Companion talks about the most famous and frontline Australians, but on another it tells us about ourselves.
Roger Neill delves into the life of a lesser-known Australian diva, Frances Alda.
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