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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Walter Lindrum OBE

c. 1932
Will Longstaff

oil on canvas (frame: 140.5 cm x 115.5 cm, support: 127.5 cm x 102.0 cm)

Walter Lindrum OBE (1898–1960), billiard player, was born into family of billiard champions in Kalgoorlie, Western Australia, where his father ran billiard rooms and a bookmaking business. In 1921 the family moved to Melbourne, where they were to operate the Lindrum billiard hall for decades. Walter and his brother were coached by their father, Frederick, who, according to Walter, was the best billiard player in the pre-World War 1 world. Walter’s brother Frederick, too, was brilliant at the game, but fate saw Walter emerge as the dominant player internationally. In 1929 he went to England, where he quickly established himself as the greatest the world had seen. He made his largest competitive break, of 4 137, in 1932. The 1930s were his peak years; he won the world billiards championship in 1933 and retained the title throughout the decade. In the 1940s, he abandoned competitive play. Apart from writing about billiards, in his later years he applied himself to raising funds for Melbourne charities. His much-visited grave in Melbourne General Cemetery is in the form of a billiards tabletop, complete with cue and balls.

Will Longstaff (1879–1953) grew up in Ballarat, where he studied art at the School of Mines before embarking for the Boer War. Proceeding to Europe, he attended art school in London. He joined the Australian Imperial Force in 1915, serving in Egypt before being invalided to England, where he was appointed a war artist and worked in camouflage and the Australian War Records Section. His best-known painting, Menin Gate at Midnight (1927) hangs in a curtained shrine-like space in the Australian War Memorial. A resident of England for the rest of his life, Longstaff undertook many portrait commissions. He is thought to have painted Lindrum in London in 1932, the year Lindrum made his record break.

Purchased with funds provided by L Gordon Darling AC CMG 2006

The National Portrait Gallery respects the artistic and intellectual property rights of others. Works of art from the collection are reproduced as per the Australian Copyright Act 1968 (Cth). The use of images of works from the collection may be restricted under the Act. Requests for a reproduction of a work of art can be made through a Reproduction request. For further information please contact NPG Copyright.

Artist and subject

Will Longstaff (age 53 in 1932)

Walter Lindrum OBE (age 34 in 1932)

Subject professions

Sports and recreation

Supported by

L Gordon Darling AC CMG (38 portraits supported)

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

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