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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Men of High Degree: Jim Everett – puralia meenamatta (clan plangermairreenner, Ben Lomond people, Cape Portland nation, north-east Tasmania), 2023

Brenda L Croft, Prue Hazelgrove (Wet plate collodion process technical assistant)

National Photographic Portrait Prize 2024 Finalist

original wet plate collodion process tintype, pigment photographic print on paper (frame: 140.4cm x 113.4cm depth 5.0cm)

Brenda L Croft
Gurindji/Malngin/Mudburra peoples; Anglo-Australian/Chinese/German/Irish/Scottish heritage
born Australia 1964

Prue Hazelgrove (wet plate collodion process technical assistant)

Men of High Degree: Jim Everett – puralia meenamatta (clan plangermairreenner, Ben Lomond people, Cape Portland nation, north-east Tasmania) 2023
original wet plate collodion process tintype, pigment photographic print on paper

‘I met Jim Everett – puralia meenamatta – at the First Black Playwrights Conference in 1987. This was such a formative event for me, being surrounded by senior cultural and political activists and creatives. At the time Jim was producer at ABC TV’s Aboriginal Programs Unit. Born on Flinders Island, Tasmania, Jim lives on Cape Barren Island. With 50 years involvement in the First Nations struggle, Jim is renowned as a creative and critical author, and producer/cultural advisor on documentary and feature films. This portrait is the second in my series Men of High Degree – a cultural reimagining of early 20th-century anthropologist AP Elkin’s culturally inappropriate publication Aboriginal Men of High Degree.’

Brenda L Croft’s creative-led research encompasses Critical Indigenous Performative Collaborative Autoethnography and Storywork.

National Photographic Portrait Prize 2024

Other NPPP photos from Prue Hazelgrove

She, 2023 Prue Hazelgrove
2024 Finalist
blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021
2023 Finalist
Matilda (Ngambri)
2020 Finalist

Other NPPP photos from Brenda L Croft

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021
2023 Finalist
Matilda (Ngambri)
2020 Finalist
© National Portrait Gallery 2024
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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