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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Princess Elizabeth, Queen of Bohemia and Electress Palatine, c. 1610

Robert Peake the Elder

Elizabeth (1596–1662), named after her godmother Elizabeth I, was a focus of hope and expectation for her father King James I of England and Scotland, and an important pawn in the game of international royal marriage negotiations. Robert Peake’s portrait of Elizabeth, aged fourteen, draws attention to her rich clothing and jewellery, including a ruby and diamond brooch pinned to her hair, and a diamond chain across her chest, advertising her eligibility as a wealthy and beautiful potential bride.

She was married at the age of sixteen to Frederick, Elector Palatine, a German Protestant prince from Heidelberg. In 1659, Frederick took the disastrous decision to accept the throne of Bohemia, and he and Elizabeth moved to Prague, where they reigned for less than a year before being overthrown by the armies of the Roman Catholic Habsburg emperor, Ferdinand II. Known as the tragic ‘Winter Queen’, the rest of Elizabeth’s life, much of it as a widow, was lived in exile in The Hague.

National Portrait Gallery, London Purchased, 1991
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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