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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Helen Blaxland watching Jocelyn Rickards painting the mural at Brush, 1946

by Max Dupain

Helen Blaxland watching Jocelyn Rickards painting the mural at Brush, 1946

gelatin silver photograph
Courtesy of John and Edwina Macarthur-Stanham
Antonia Macarthur-Stanham Collection, Camden Park House 

Petal to the mettle
(More information, View all 10 images)

Elaine Haxton, c.1940s
Portrait of Elaine Haxton
Helen Blaxland and Tonia
Rachel Roxburgh

Related information

Helen Blaxland judging flower arrangements, c. 1940s photographer unknown
Helen Blaxland judging flower arrangements, c. 1940s photographer unknown
Helen Blaxland judging flower arrangements, c. 1940s photographer unknown
Helen Blaxland judging flower arrangements, c. 1940s photographer unknown

Petal to the mettle

Magazine article by Dr Sarah Engledow, 2019

Sarah Engledow lauds the very civil service of Dame Helen Blaxland.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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