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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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The great echo chamber, 2017

by Dianne Jones

National Photographic Portrait Prize 2018 Finalist

The great echo chamberis my response as an Aboriginal woman to political debates in a house of parliament. The drama of ceremony and speeches contrasts with the ordinary, mundane embodiment of power. This ‘heart of democracy’ is idealised as representative, yet many of the faces are similar. Decisions are made for Aboriginal peoples. Alienated in this room of white governance, I explore how I inhabit the centre, sitting in the seats and performing the bodily language of members of parliament: bored, excited, inspired, angry, jaded, chewing gum and asleep.

National Photographic Portrait Prize 2018

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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