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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Engagement, 8, 2017

by Timothy James Coad

National Photographic Portrait Prize 2018 Finalist

Engagement, 8, 2017

This is a photograph of Ish, from a series titled Engagements with Twilight. Twilight is an ephemeral, transitional moment in time – an intimate engagement with the immediacy, power and sublimity of natural forces. The threshold and tenuous grip we have on life propels me to investigate the fragility of existence and reality. My work explores the tension of a loss of place and loss of self-identity, a distancing and detachment.

National Photographic Portrait Prize 2018
(More information, View all 43 photos)

Yahir, waiting to live again
In Doubt
The girls
Yassmin Abdel-Magied

Related information

Charlie, 2017 by Lee Grant
Charlie, 2017 by Lee Grant
Charlie, 2017 by Lee Grant
Charlie, 2017 by Lee Grant

National Photographic Portrait Prize 2018

Previous exhibition, 2018

The exhibition is selected from a national field of entries, reflecting the distinctive vision of Australia's aspiring and professional portrait photographers and the unique nature of their subjects.
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The National Portrait Gallery building front entrance
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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