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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Thancoupie (Gloria Fletcher) and Carole Johnson, 1974

Carol Jerrems

gelatin silver photograph on paper (image: 16.4cm x 24.4cm. sheet: 17.4cm x 25.4cm. frame: 43.2cm x 58.5cm)

In A book about Australian women, Jerrems allocates a double-page spread to these two creative leaders, photographed in a garden in Glebe, Sydney. Thainakuith ceramicist Dr Thancoupie Gloria Fletcher James AO (1937–2011) and American choreographer and dance educator Carole Johnson (b. 1940) are engaged in conversation, laughing and leaning toward each other. While the tone differs, this photograph has compositional similarities to the portrait of Evonne Goolagong Cawley and other iconic Jerrems works, with the figures spotlit against shadowed backgrounds, pulling the focus towards the subtleties of expression and body language. Aptly, both Thancoupie and Johnson are themselves deeply attentive to the dynamic potential of gesture and three-dimensional form. Thancoupie remains one of the foremost figures in Australian ceramics, while Johnson is celebrated for establishing the National Aboriginal Islander Skills Development Association and co-founding Bangarra Dance Theatre.


National Gallery of Australia, Canberra. Gift of Mrs Joy Jerrems 1981.
© The Estate of Carol Jerrems

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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