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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

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Contact sheet (Mozart St, two), 1975

Carol Jerrems

gelatin silver photograph on paper (sheet: 22.2cm x 25.3cm. frame: 43.2cm x 58.5cm)

Vale Street was shot in the backyard of the St Kilda sharehouse where Jerrems’ friend, photographer Robert Ashton lived. This contact sheet reveals the unhurried staging that played out over the course of the shoot, eventually resulting in the celebrated shot. As the trio pose and chat, robe and disrobe, there is both amiability and awkward nervousness. Then the energy stills and the critical moment, which holds such gravitas and tension, emerges.

There is only one additional frame taken after Vale Street before Jerrems went inside to photograph her friend, filmmaker and photographer Ian Macrae. This suggests that the shot felt right to her, and that she knew she had made something special.

National Gallery of Australia, Canberra. Gift of Mrs Joy Jerrems 1981.
© The Estate of Carol Jerrems

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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